Thursday, 5 March 2015

Here is me, door mat





Here is me, patio stone, a rock for stepping on.
One of many that line the driveway.

Here I am, gravel path, crunched and pushed down deeper into the soil. My apologies for not molding myself to fit your foot in anticipation of your step.

Here is me, a blade of grass bent at a painful, sharp angle so that you could get where you are going a second faster. Sorry for slowing you down.

Here I am, the bottom step. I know I am just a means to the top, I don’t mind that you land here momentarily and are gone. I know my place. I’m comfortable with it.

Here is me,  your door mat. I waited, clean and fresh for you.
You were late.
Your boots are muddy, your shoes are wet.
This feeling is unpleasant.
You need to go.
I tried to be everything for you, but not this. Not anymore.


I am door mat no longer.

Saturday, 13 December 2014

Metamorphosis


(photograph from designerterminal.com)



After the worst fight ever to take place between a man and a woman, Allie wakes up to realize that she had transformed into a flower.
Yes.
She  wakes up and without opening her eyes is immediately flooded with the recollection of the tears  and shouts (on her side) and angry, clipped words (on his side) the night before. The burden of another awful fight weighs down on her. As if a bowling ball took up residence on her chest. She decides to roll over and snooze for another ten minutes. It's at this moment when she realizes she cannot turn.
Startled she looks down at herself. She is not lying on her back on the right side of the bed as she had been hours ago. No.  Instead of a white, airy duvet and 400-thread-count sheets, she sees a thick, green, fuzzy stem where her body should be. Blinking in bewilderment she looks around. She is not in the bed at all. She can clearly see the bed two feet to her left and she is not in it.
Allie does not know what to feel. She has never had an experience even approaching in similarity to this one and she feels completely baffled. She looks around, hoping for some kind of explanation. She sees that she is leaning against a crystal vase which is placed in the middle of her night table. An empty mug, a red hair elastic with a few strands of hair still attached, her reading lamp and her current book (a murder-mystery set in a Beachtown) lies facedown on the wooden, distressed surface.
She is un-mistakably a plant. She sees her stem, feels the cool water at her feet and, hey, this is kind of cool, she can suck up the water through her stem. The sensation is so marvelous that she does it again. It feels like sucking water through a straw, only better. Imagine a bigger straw and better water than you’ve ever tasted, that’s what it was like for Allie.
She casts her eyes around and surveys the rest of the room. How is this happening?
Suddenly, she hears footsteps approaching and pulls herself to attention, lengthening her stalk to full height. He pauses at the door, listening. A tentative rap on the door.
“I’m coming in, I need to shower or I’ll be late for work…” he says. His voice is slightly muffled by the closed door. She tries to answer. In her mind she thinks the words and commands her lips to form them, but no sound comes out. She tries again, more forcefully this time. Again, no sound. ‘This can’t be happening’ she thinks to herself., ‘I am not a flower. I am asleep and this is a very strange, very realistic dream. I need to wake up, I need to wake up right now’. The man gingerly swings the door open and enters the room. He looks at her side of the bed and his forehead creases momentarily. He walks to the ensuite bathroom and peaks inside. “Aliie?” he calls out into the empty room. He checks the closet and pulls the shades up to look out into the backyard. Sighing heavily he sits down on the foot of the bed, head low in his hands.
Allie frantically tries to speak, scream, make any noise or movement whatsoever but all her mental capacity pushed to the limits produces no results.
This doesn’t make any sense. If she can see, why can’t she speak? I mean, obviously flowers can’t speak but they can’t see either, yet here she is staring around her own bedroom from a crystal vase. Allie’s thoughts come to a halt. Wait a minute, I am not seeing the room after all. She looks down at her stalk and notices faint yellow, dotted lines, kind of like elongated tiny fireflies moving up and down her stalk. These little ripples form the shape and colour and feel of her stalk. She glances at the book on the nightstand. These little lines do not glow. They are darker and fuzzier. The edges of the book are hard to differentiate from the nightstand. It’s sort of like looking at one of those static channels on TV with the millions of black and white dots except the movements around her are calmer and the lines flow smoother, especially in her own stalk. She looks at the man seated on the bed. He is glowing too, but not green and yellow like she is. He is red and his lines flow in a dizzying pattern. Together those lines form the outlines of the man. Allie gapes in wonder. This is the most beautiful sight she has ever seen. Allie surveys the room again with a new understanding of what she is seeing. The energy and life in the room. 
Besides the man and herself there is not a lot of activity in the room. She can make out the distance and size of the objects in the room. Bed, walls, door, wardrobe but they are dull and dark. The man sitting on the bed pulls her attention like a magnet. After a while, he gets up and goes into the washroom. He comes out sometime later, dripping wet. Allie remembers, more than sees, how handsome he is with nothing but a towel wrapped around his waist. A deep expanse of longing washes over her and she wishes that she could reach out to him, take him in her arms, apologize for the words she’d said last night and promise to change. But she can’t. She remains absolutely still, in a vase, silently watching.
As the man pulls a pair of pants off a chaise longue his watch, which was in one of the pockets, flies out and lands on the floor near her nightstand. He pulls the pants on and walks to scoop up the watch. He pauses mid-way up, watch in hand.
He has seen her! Allie’s heart leaps with joy. ‘It’s me! Babe, it’s me!’ she thinks as forcefully as she can. She screams the words in her head, hoping somehow the thought will reach him and he will understand.
He stands up slowly, clasps the watch to his wrist and leans over the vase to inspect the flower. She tries to lean toward him, to caress his hand but her new body refuses to cooperate. He straightens up and moves away quickly. Allie’s hopes are deflated. He does not recognize her. How could he?

As time passes Allie feels more and more lethargic. The water in her vase is now murky and stagnant and she drinks only when she absolutely must. The feel of the cool, refreshing water is gone replaced with a thick, acrid taste that makes her shudder. She feels her head drooping and dozes most of the time. The only way she can tell the passage of time is by the disappearance and reappearance of a ray on sunshine that peeks through to the bedroom from under the  bathroom door and the subtle lightening of the walls through the heavy, darkout curtains that remain closed on the far side of the room. She knows many days have passed but she has no idea how many. 
The man does not return and there is nothing to break up her long days and nights standing vigil. Grieving for a life and love she let die. 'I didn’t just let it die,' she thinks to herself, 'I willfully killed it. My pride and selfishness seemed so important then.'
Allie realizes that she can cannot recall the emotions that so often filled her in her human form. Anger, resentment, entitlement. They are meaningless words to her now. Even the memories of the events that triggered those emotions are slipping away from her.

She is startled when the door suddenly flies open. It’s him! He is holding a small object to his ear and speaking loudly. Cell phone. The word comes to the surface slowly, grudgingly. Allie clings to the word, keeping it firmly in her mind as she hears one side of a conversation.
“Look, just tell me the truth. Has she called you, stopped by, anything? Be honest, man.”
A long pause.
“So you didn’t know when or where but she’d talked about it before? She told you she was leaving me?”
A shorter pause.
“No bro, people usually mean things when they’re angry. That’s when they’re honest.”
A deep sigh.
“No note man. Just a f’ing vase with a flower.”
The man walks into the bathroom and runs the water. She cannot hear the rest of the conversation but hears the man’s raised voice and several expletives.
Allie can’t remember the argument now. She just feels the guilt. And she know. She knows that she caused their fights, she wouldn’t, couldn't let the two of them be happy. She knows down in her core that she picked fights. Like picking a scab to see if it would bled, she recalls pushing his buttons just to get a reaction out of him. She could see it happening. She could see that her temper and verbal lashings were making him feel bad about who he was. She could see on his face that he felt like a failure. That he wasn’t and couldn’t be good enough for her standards. She remembers feeling a thrill of joy at that. Maybe she hoped he would become some super-human, devoted lover who planned exotic getaways as a surprise and always knew when she felt like making love and when she just wanted to watch TV. Or maybe what she really wanted was a slave? Maybe she had wanted to break him so that he would depend on her ability to know what was best, to listen to her plans and go along with them. Maybe she just wanted to be obeyed so that she could feel…what? Feel happy? It certainly hadn’t worked. And by the time that they were fighting more often than not, she was in so deep that she didn’t know how to stop the game. Too late  to fall back into who she really was. Or had that been who she really was? How could she not have seen that he loved her, that he was trying everything humanly possible? She had let him believe that he never said the right thing, did the right thing. She had kept her lips pursed and angry when he was late for a date even though he held out a box of chocolates from that tiny shop that was an hour away. She had seen his efforts and pretended it wasn’t enough. Why? She can’t fathom why now.
Now weeks without fresh water or sunlight, and with the weight of her choices filling her head, Allie does the last thing she can. 
She drops her petals one by one onto the nightstand to spell out the word sorry.

Eventually, the man comes back to make sure he’s gotten everything. He sees the vase. He picks it up and throws it across the room, smashing crystals all over the floor.
He leaves the broken shards and the pool of water on the floor. He takes his wedding band off and puts it on Allie’s nightstand. He notices some petals on the nightstand. How odd, the petals are arranged into a perfect letter S.
He walks out of the room and closes the door.

Thursday, 16 October 2014


The Mirror




Remind me who I am.
As I stand in front of your glossy smooth barrier,
I plead with you.
Show me, tell me about me. The real me. 
The one I used to know.
I remember knowing, I know that I knew 
but I can't recall what it was.
All I see is tired lines and a glass measuring cup.
But you know.
 I know you do.
And if I can just be a tiny bit brave,
and reach.... a little bit deeper
Into this long-forgotten well, an under-used sanctuary,
I will likely fall in.
But coming up on the other side with glorious gasps of air
I throw my head back and laugh out loud.
I can't believe I'm on this side of the mirror now.
And I remember everything.
I see what you see.
I know who I am.




Thursday, 2 October 2014

Funeral Sandwiches





There are plates of food we will not eat. 
People want, not to drown grief as much as they want to fill it up. 
But        grief             is a hole. 
An emptiness 
where there once was life and light,
 now, a void.
 And I understand why people bring food.
 What else can they do? 
But for me, I think an offering of ashes over sandwiches 
and blank emails with no subject line are my preference over casseroles.

Thursday, 28 November 2013

This woman waiting by the phone

(photo taken from myvintagevogue.com via http://www.flickr.com/photos/vintagevogue/)



This woman seated before you is an optimist. She believes that though she has been waiting for her husband for 2 hours at the train station, any moment he will pop around the corner, scoop her up into his arms, kiss her on the lips right there in the central train station where everyone can see. She does not give heed to the cramp in her calves from sitting just so for so long. She takes turns alternating her legs so that neither falls asleep as she waits. She sits next to the phone should the train master call and tell her that there has been a mixup and her husband's train is on another track, and might she be so good as to come to the information booth where he will direct her to the proper waiting area?

This woman talked herself into and out of buying flowers for her man several dozen times this morning before finally, painfully, coming to the conclusion that purple was not too feminine and that he would be touched by her gesture and love her all the more.

This woman chose her look with great care. She had her dress ironed and starched in anticipation of this very moment. well, not this very moment, obviously. But for the moment that would soon be unfolding on this very spot. Her gloves are pressed and lightly scented with honeysuckle water. Her earrings, a gift from her aunt in Paris. Her hat, white and newly purchased from the shop seemed to her a small fortune but worth the scrimping she would have to do in order to afford such a luxury.

This woman shoves down her worry and the desire to pace. It is unbecoming in a lady. Instead she stays lightly perched on her seat, face forward, eyes intent. The phone does not ring. His train does not come.
This woman is an optimist, a fighter and a survivor. In 10 minutes she will decide that 4 hours is long enough for today. She will stand up, dust her bottom and smooth out the wrinkles in her dress. She will hold her head high and walk up the lane and hail a cab to drive her up the hill to her home. She will return tomorrow and for as many tomorrows as it takes, until her moment unfolds as it ought to, as she planned. But for now, she sits, she waits. She is an optimistic woman.







Thursday, 21 November 2013

Inside the Snow Globe



(photo from http://www.pinterest.com/source/lakemusic.tumblr.com/)

She needs to dance, she must not stop.
She knows the snow is falling, she knows the ice is creeping and yet she twirls and spins.
 She knows she needs to dance.
Hold the bridge for support against the sway, swaying. Point a toe, lift a limb, all in measured time.
 Snowflakes flutter down around her; they, discordant to her elegant rhythm and grace.
 The snow globe that is her home and cage is being violently shaken by a young child.
She needs to dance, she cannot stop.
She flitters across the surface to the other side of the bridge grateful for the magnets in her shoes that keep her from falling upward into the domed roof of her world.
Lift this way, bend that way. On and on she goes.
Her dance is perfect, magic, a dream for all who bother to pause and look.
Her  tiny world fills hearts with longing and love.
And that is why she dances. That is why she cannot stop.